after the success of the massive >so be it< alongside crystal clear on cold blooded recordings, rhythmbeater returns to cutterz choice with 2 bangers which showcase his versatility as a producer. first up we have >never ending story<, a melodic piece of drum and bass with a euphoric intro that builds up to a warm powerful bass, driven along by crisp rolling beats. rhythmbeater gives us another huge slice of jump up with >murder sound<.

the long awaited new single taken from aeroplanes debut album >we cant fly<. >my enemy< is definitely the most dancefloor orientated track on there, but nevertheless we included a blinder of a remix package for you!
up first is rex the dog (kitsune, kompakt), who makes >my enemy< even more epic, or should we say arpeggiotic?! the legendary green velvet (cajual, relief, music man) on the other hand turns it into an unmatched rolling monster for the dancefloor. if thats the enemy, we wanna make it up!

follow up to the highly acclaimed first numbers#1 release which was massively supported by adam beyer, laurent garnier, speedy j, carlo lio, timo maas, slam, technasia, oliver ho, terence fixmer, lucy, x-press 2, phil kieran, paco osuna, tony rohr & many more. emerson once again expresses all his passion for raw techno and rolling grooves with the tune >non human beat<. heavy beats with an analog feel and loud drums keep spinning and building around noisy crisp techno. the original track was remixed by markus suckut delievering a modern techno track, adding some energetic hi hats and leaving out some of the peak elements for some extra dub. markus is currently working for well established labels like stroboscopic artefacts and len fakis figure imprint.
support from speedy j, luke slater, dubfire, electric indigo, timo maas, luciano …

for his third release on dont be afraid semtek brings a rolling acid house vibe with remixes from neville watson, justin harris and isa gt. check!the original builds from trademark uk bleeps and analogue drums into a wigged out discoid groove. neville watson takes you far up into the aether with a hypnotic hymn to the night, justin harris produces a dark and driving techno dub, and isa gt refashions an early semtek track key into a bara house banger equally at home in croydon as in her native columbia.

mutiny makes its debut on ovum recordings with two dance floor monsters. longtime friends, this collaboration seemed destined to eventually happen. they have been quiet for a while but the boys are back with a fresh sound! on the a side we have the title track >swimming with sharks<, an eerie and mysterious rolling tech house monster. this track is made for a big system and will drive the floor nuts. on the b side we have >you didnt want to<, which is another peak time monster. with its underlying vocal, this track builds with swinging drums and great use of effects. two incredible peak time tracks that should be in your sets through the summer

this time, strictly chosen presents peter jd, a new face in on the market comes up with a deep rolling house groove. additional we are very proud to welcome tres in our be_chosen league. the project was founded by frank lorber, bernd maus & eric besier and after their succesful releases on cocoon records and nummer recordings, they are now back with a huge remix on striclty chosen.

a1: sweet love - diner city style! cool vocal samples, rolling synths and heavy grooving percussions. a trippy, disco house track. a bomb!
b1: una splendida dubbata disorientata - sexy, slow and deep! popping riff stands out amongst the keys and chilled atmospherics. when it kicks into the main section things really pick up. a brilliant track for the end of the night!

kicking off 2011 with a killer e.p. is our favourite artist art bleek featuring a number of remixes from the new art supplies album released on loungin this month plus some fresh cuts exclusive to this release. starting the e.p. is a floor filling remix of clap your hands by our own trevor loveys. the original has been out for a few months in the blogosphere and has been picking up some heavy props. next up is hold it (a little longer) where art shows off his true talent of the master of the musical groove with a rolling bass and a choppup vocal lick to keep the party rocking. flip over to side b and you would be excused if you thought someone had swapped the record out for a disco classic. with vox by noelle scaggs and a harmony that nile rodgers would be proud of arthur creates a boogie classic that is very much flavour of the moment. following on is an exclusive remix of the hunt dance featuring the unmistakable voice of ursula rucker. the original on art supplies has had such amazing reactions that we all thought it would be hard to better it, but again arthur has done it delivering a groover for the heads. finally is right on featuring l.as finest charlie sputnik. art delivers a more techy grove to this classic which is a sound he is becoming more recognised for which contrasts so will with charlies trademark smooth vocals.

>bussin down< is the first planet mu single from chrissy murderbot, who comes with a style inspired by his chosen city of chicagos juke and footwork scenes. he playfully mixes in elements of other styles of music he loves, such as rnb and dancehall, to create lively mutations with a warm hearted mass appeal that comfortably straddles genres. >bussin down< features chicago footwork supremo dj spinn over some tasty footwork tracks featuring spinns instructional lyrics, over some high speed jazz funk and cracking claps and klaviers. next track >braaain< is a unique amalgam of footwork with the classic early digital sleng teng bassline. the blend works fantastically, as chrissy slides the originals vocal in and out of the mix in a dub style. on the b-side atki2 takes album track >the vibe is so right< featuring vocals from mc zulu and runs it through a lush treatment that mixes detroit washes with tight, laidback, rolling funky house drums, to instant classic effect. on b2, chicago footwork pioneers djs rashad and spinn send the originals vocal into a whirl of complex delays and layered loops over cold drums and hard techno stabs. just the faintest taste of what is in store on the m-bots incredible >womens studies< album due soon on planet mu.

the journey starts with epic pads and deep-space melodic strings that flow into rolling drums on the intro, building up into the massive anthem . the drop delivers big, bad, wobbling basslines & retro analog synth stabs that fire over heavy assaulting beats, making this an absolute dancefloor smasher destroying everything in its path and taking no prisoners!
the flip side jumps off with a futuristic atmosphere of high-pitched strings, pads and funky percussion hits while hinting a classic hip-hop sample. wide-open, ravey synths creep up and build into the drop that hits with pounding drums and filthy punishing basslines moving in perfect balance to break free just long enough for the vocal to remind party people in the house what time it is. guaranteed to get the crowd going mental - this one is a banger!

thinking about prspct without counterstrike is like peanutbutter without jelly, johnny without cash & kiss without the make-up ... these prspct veterans are back again with a heavyweight 12 that will leave hanging to the edge of your seat.
for the first side we got counterstrike & zardonic going at it head 2 head with >when worlds collide<. this pa stomper is a brute piece of work. destructive rolling beats hammer your face in while the bassline peals your face off bit by bit. put your screwface on and start bashing to this one.
flip it over for a proper >mindfuck<. this is how we like to see counterstrike - heavy metal riffs combined with a snare that sounds like the garbage man is battering the dumpsters on trash day. like the tune says - lets get our mindfuck auwn!

6th borough project make a welcome return to delusions of grandeur to deliver their debut lp entitled one night in the borough. as well as a cd the album is being released as 3 individual singles plus a limited edition triple coloured vinyl pack. here we have the first single in the series of 3 including four brand new full-length cuts from the album. find a way kicks things off and sees the guys deliver what we know as classic 6th borough material ie. precision cut, edity disco and soul but heavied up with a fat kick and an arrangement which screams out for peaktime plays. iznae hits next with a brilliant wobbling bassline that brings a warehouse feel to proceedings before the groove drops into an unexpected breakbeat section that harvey mason himself would be proud of. if its loopy downtempo house you re into then look no further than if the feelings right. layers of loops build and drop, filtering in and out whilst grooving steadily along at a sublime 88bpm. finally, changin goes on a classic deep house mission with soft stabs and synth riffs supplying the interest while a rolling beat propels things along in an understated yet powerful way.

release number four from our latin lair, and this time we are very excited to introduce a mystery project - alien alien with two tracks, black guru and sambaca. alien alien is the shadowy side project of hugo sanchez and rodion who have distilled for us two stone cold cuts of percussive, rolling disco for the dance-floor, backed up with remixes from horse meat discos severino and the heels of love.

part i? time track . mokiras time track is the deepest of dub music and electronic gear has seldom sounded this organic. rolling cords and bassline builds slowly towards the dub meltdown. on the b-side silent servant (sandwell district, historia y violencia) produces a rolling wall of sound. this is a high energy, metallic sounding dance piece ready to serve djs around the globe. to be played loud, not silent.

if you have been exposed to this cultural phenomenon called electronic music for more than a while, you will certainly have in mind something more than bright sunsets and perfect waves when you evocate that part of our awesome planet called california. the west coast has provided an own-harvested sound that strives to differ itself from surrounding mainstream conditions, making it fine and classy when it comes to underground house and techno music. alland byallo aint no rookie on the issue, rolling beats for enough years now to need no intruduction. with productions on labels like dirt crew, liebe detail, dirty bird, poker flat or nightlight music (allands own imprint) he can be well considered like the last but one exponent of a whole lineage of californian producers.

syndrome picks up the pace again with another fat slab of rolling tech business. krone is the one taking the stand and starts off with a steamrolling roller made together with >malsum< we are not alone is one to keep your eyes on. like ghost train you can hear it coming in from miles away rattling along the tracks with the cries of all its zombie passengers inside.dont let this one get you as youll lose your brain.for babylon 21 krone trucks along solo style.. things turn a bit lighter but are all about the groove. like back in the old days before all the sounds got processed to death.. this one keeps it subtle groovy and funky all at the same time!

glenn wilson turns up the screw on his compound platform with a three track dark pumping monster, eye ear drums is a dark hypnotic atmospheric work out with haunting voxs layered over thick drums and rolling throbbing baselines. note decryption rolls over more dark throbbing pulsing baselines in a more tough minimal style. the vault lays down some dirty atmospheric minimal rhythms before erupting into a metallic stabing workout...enjoy

since the release of his debut >hyph mngo< that swept the global dance music world in 2009, british producer peter o grady (aka orbison) makes his return on hotflush recordings as joy o in 2011. these two productions take a more straightforward approach, toeing along the lines of classic house music, infused with this talented producers own signature style, weaving rolling acidic basslines in >wade in< and uplifting melodies in >jels< and over shuffling roland drums and blissful atmospherics....

sasha carassi is back on his phobiq imprint with the fiberboard ep!with synths sounding like liquid tension, the original mix is a journey through tough beats and frantic electronics. the mighty slam are in charge of the first remix and they take the dark and dirty route, stripping the original down and adding some bleakness of their own, only to surprise us with an old school-sounding breakdown. the acid mix is slightly more rolling, featuring snappy drums and pulsating percussion, which takes us to the fourth track of the ep closing up is tom laws, who has been making his own unmistakable noise as of late. utilizing simple,yet solid drums he offers us a clearer picture of the tense synths while maintaining the vibe of the original.

the ball is certainly rolling in 2011 and next up is a treat from germanys lowtec. founder of highly respected label workshop he makes his uk label debut on nonplus records with two fresh cuts of analogue goodness.

as 2011 throws open its doors its time once again for blokhe4ds bad taste recordings camp to step forth with the next instalment of the all-conquering, earth-shattering bad taste compilation series. this sampler features two huge tracks not featured on the forthcoming triple pack vinyl release. blokhe4d switch things up again, this time with a nod to the foundations of their sound, >kisses and lies< is a dirty, rolling slice of heavy duty dnb. early plays from bailey and crissy criss on radio 1/1xtra has seen support for this track grow and grow.

driving forces recordings welcomes flug aka junior lopez, one of the main icons of argentinas electronic music scene, with >13 series ep<, a dark and rolling techno masterpiece.
after releases on labels like mauro picottos alchemy and pär grindviks stockholm ltd, >13 series ep< features remixes from his closest friends, the uks sleaze records label head, hans bouffmyhre and argentinas no.1 techno export juan pablo pfirter.
supported by adam beyer, dave clarke, slam, samuel l. sessionjoseph capriati, sasha carassi, alan fitzpatrick, virgil enzinger, alex bau, sven wittekind, monika kruse, submerge, secret cinema, a.mochi, perc, go hiyama, audio injection, axel karakasis, lars wickinger, lars klein ...

two previously unreleased jimpster remixes of seal available on this limited white label. the a side side is a raw, detroit tinged mid-tempo jam with seals amazing vocals making this one a solid party starter. flip over for weight of my mistakes which sees jimpster flip things into an epic modern soulful house track laden with real strings, warm rolling bass and tight afro drums. these are his first remixes outside of his freerange label since his mighty remix for josh wink last year.

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

round two on plumbum! on the a and with an acute attention for detail, piemont present us with involved. a rolling march through the wild. with bird noise, the scything roar of a gorilla and a weighty bassline. we are drawn through the undergrowth, with the delightful organ drops invoking memories of classic kong and tarzan movies. on the flip the duo get there fidget on. a growling bassline, sci-fi bleeps and moody synth waves, make for a solid tech number.

incl live mix by ataneus! and again the ostwind crew welcome a new artist on their sub label ostwind limited. sandru lives in cologne and raised with music as a son of a bassist. he played drums and piano in his childhood and made the first steps with techno at the age of 15. now the 24 years old sandru releasing his first track called >late night stories<. raw minimal beats und clicks, combined with a dirty rolling bass and a building hookline will give you some warmness in these winter days. a good start by sandru and we looking forward to his next releases on ostwind. to make this record perfect we have two pretty tracks from our friend from sofia, ataneus. well known for his productions on ostwind, subotnik and ackerdub, ataneus shows again his talent for emotional and very deep going stuff. en echolon and spectral class have this typical warm bass and arrangements from ataneus. forward groovin techhouse styled up with markant pinpointed melodies. also music to fuse the ice from the house top oft he club.

nice price deal !!! on this first release matt follows on from his bingo, jerona fruits and shadybrain releases with his latest offering >threatz<, featuring cuts from jehst and diversion tactics dj jazz t. caned by bailey on his 1xtra show, this is hard hitting drum and bass at its best, full of aggressive funk, tough beats and old skool 97 flavour. on the aa is >embryonic<, a rolling slice of tech drum and bass with an infectious groove that keeps proceedings dark but full of funk, making this a solid release that bodes well for a label concerned with quality not quantity.

and again the ostwind crew welcome a new artist on their sub label ostwind limited. sandru lives in cologne and raised with music as a son of a bassist. he played drums and piano in his childhood and made the first steps with techno at the age of 15. now the 24 years old sandru releasing his first track called >late night stories<. raw minimal beats und clicks, combined with a dirty rolling bass and a building hookline will give you some warmness in these winter days. a good start by sandru and we looking forward to his next releases on ostwind. to make this record perfect we have two pretty tracks from our friend from sofia, ataneus. well known for his productions on ostwind, subotnik and ackerdub, ataneus shows again his talent for emotional and very deep going stuff. en echolon and spectral class have this typical warm bass and arrangements from ataneus. forward groovin techhouse styled up with markant pinpointed melodies. also music to fuse the ice from the house top oft he club.

nice price deal !!! souled are back after a years break to build their studio and get their record label fresh minute music rolling and it seems to have done the trick with support for the label from radio 1s annie mac, gilles peterson, rod da bank and toddla t and plays on kiss 100, 1 xtra and galaxy as well as where it really matters on the worlds dancefloors from heavy weight djs benji b, karizma, martyn, floating points, joy orbison, kyle hall, kode 9, louie vega, osunlade, recloose and rainer truby. the labels tracks have also landed on fabric, ministry of sound and soul jazz compilations and have been licenced to america, south africa and japan. not bad for a years work and now their first 4 track album (finished in the newly built studio) is getting some heat. support so far from gilles peterson (radio 1), phil asher, simbad, mad mats (raw fusion), rocky (xpress 2), craig smith (6th borough project), julio bashmore, kay suzuki, green money, sy sez (aprodisiax), robert owens and patrick forge.

label-boss markantonio delivers the 30th release for analytic trail with alone against, four tracks of the neapolitan producers refined rolling techno the first from his brand new studio which stands in the shadow of vesuvius.finally, the dark drops and cavernous reverbs of my tisana close an ep which proudly extols the virtues of uncompromising machine music which is aimed squarely at the dancefloor. with a remix package to come featuring the advent, joseph capriati & paco osuna, loco & jam and flavio diaz, alone against is an ep which will have serious legs.

after the success of their inaugural workout last summer, jam factory return with their second ep of machine-made music that goes bump in the night. ocean calling is an authentic big-room house record underpinned by a catchy bassline combined with ever-evolving synth stabs and crisp analogue drums. on the flip hot & heavy kicks off with a rolling subterranean bassline and gradually develops into an addictive groove.

the sophomore album from adele on vinyl lp.

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

dubstep don vent brings the pain with this release on hardcore beats. >shogun of the dark< will slice you up like a samurai with is stupidly big bass that switches as the vocal samples interrupt the rolling beats. on the flip sees vent team up with critically acclaimed rap, grime and dubstep group foreign beggars. so need we say more?

rolling techno that goes all weird... it couldnt be more vvwi if it tried. which we feel it did. our evil leader tim sheridan turns in what he does best.

m a n i k returns to ovum after his incredibly successful park to the slope ep. he comes to us this whit his follow up keep that fresh ep. the title of the ep says it all as m a n i k is constantly evolving his sound and keeping the music fresh. the title track >keep that fresh< has a funky 303 bass line with intricate grooves and a hook made up of some chords. this is something that will clearly get the floor rolling. next up is ditmars blvd with its heavy drums and catchy synth line, is a stone cold groove track. on the b side we start with >hold on<. this track is inspired by the sounds of early west coast g funk hip hop with its lead synth and funked up analog bass line. the final cut on this diverse ep is >shes slow motion<, with its r&b vocal floating over the incredible deep instrumental. this is something you could hear in the early mornings at a brooklyn warehouse party. all in all a great diverse follow up from m a n i k that should be in the sets of a wide range of djs

oslo records welcomes the extraordinary artist reboot with his first ep >into oblivion< . after he caused a sensation in 2009 with his split- ep >hello sweden< on the sub-label >love letter from oslo<, he shows us again an incredible ep. >macchina< on the a side is a rolling track that builds up more and more so that the audience goes slowly to ecstatic explosions on the dancefloor. >en place< on the b side is a typical tool à la frank reboot - very percussive and groovy, making them ideally suited to shake up the more advanced hours.

och pops up on baby fords pal sl imprint after a solid debut on autoreplys offshoot stuga musik. although the producer behind the och pseudonym remains mysterious for now, his early productions have garnered support from such esteemed figures as ame, norman nodge, gerd janson, dj sneak and anthony shake shakir, and this latest 12 inch is, in our humble opinions, ochs best yet. the standout track here hogs the entirety of the a side, with >bombay bedbath< characterised by some beefy drums and a drowning, late night soul vocal which complements the rolling groove. flip over for two wonderful b side obscurites, namely the rich ambient textures of >interlude intuitive< and twinkling piano lines and moody atmospherics of >out of key in<.

a spiral of evolving and heady, sample-laden tracks unfurl on paco osunas latest ep, a richly produced melding of continent-spanning talent, with paco partnering up in the studio with real-life amigos daniel sanchez, alex under, joseph capriati and alexi delano. the amigos ep presents driven, moving grooves with satiating build ups, over densely-layered samples and drums. osunas seasoned skill-sets in the dj booth and as a producer come together knowingly in this release. osuna and his dutch/spanish counterpart daniel sanchez combine melodic and percussive samples in kawuriel, whilst with madrids alex under as his cohort, osuna transfixes with waaaa - featuring a distinctive pitch shifting sound throughout its phasing. your understanding of its unusual name will become abundantly clear upon the first listen. also notable is wope, which contains woodblock-esque percussion samples that compliment the rolling bass, co-produced with italian musician joseph capriati. the eps finale, waxfix, is a combination of the talents of osuna and swedens alexi delano, resulting in another cleverly-derived arrangement of steady bass drums and strong high hats. its a well-locked and smoothly syncopated, loop-based groove

lust und freu.de welcomes voellmer & brendel, two new artists from potsdam, on their seventh and last release of this year. their track >influenze< is built up pretty simple and brings it on sharp with rolling basslines and spacey sounds flying all over the place. this track fascinates by careless ease and its hypnotizing effect lets his listeners automatically float to the dancefloor. competed by an bumpin someone else and an away drifting antonio olivieri remix this ep is an invitation to move your feet and fly away.

a1 – >10% is gone<: full bodied track, heavy melodic bass line really drives the whole thing! intro has a slight purple haze feel to it, the squealing atmospherics and percussion create a chilled ambience while at the same time the bass/kick combination keeps your head nodding! b1 – >free luv<: a very 80s sounding track, kraftwerk-esque rolling bass line. synth and strings add to this very pumping kick heavy piece! b2 – >in upper case< : highly percussive song, super deep bass and echoed and poppin synth sounds. this track really bounces: the brass section is a welcome addition along with a number of cool vocal samples. a real strong track

langenberg strikes back with a three track heavy hitter, following up to last years >times< (mild002)! >planitz proposals< showcases the label co-founders fine sense for hypnotically floating house layouts that merge club functionality with atmosphere and soul. be it the steadily building deep excursion on the eps title track, the rolling epic shuffle of >tribute< or the rhodes-driven subtle funkiness on >dog days<, you really cant go wrong on a langenberg ep, can you? supported by: steve bug, brendon moeller, andre lodemann. blakkat, iron curtis, sven tasnadi, jacob korn, iori, tim toh, sevensol, edward...

hold tight for the track of the winter as mario basanov steps out of the shadows with the excellent >up< ep for needwant complete with a low slung house remix from the current hot property nicholas. >up< is the kind of record you want to go on and on, so easy to get lost in its rolling grooves.

arne weinberg delivers a very personal record allowing the listener to enter his emotional world. the title track >chrome< is a dark and sinister piece of deep techno full of nocturnal sounds and textures, driven by a pulsating bassdrum and rolling snares. one of the darkest tracks he has ever written.
limited to 300 hand numbered vinyl copies only. no digital distribution.

cultivated electronics is proud to present its 5th release of the year with a remix ep of electro legend carl a finlow aka silicon scally. the track >process< was originally featured cultivated electronics ep 004 and is now re-worked by label head sync 24 and electros flavour of the moment, finish duo morphology. sync 24 opens up the ep with a dark techy interpretation of the original track. chopped up voices, quirky analogue bass lines and spooky atmospheres rolling along at 135 bpm are the order of the day. hot on the heels of two storming eps on abstract forms and an impending long player on zyntax motor city, morphology (aka crc) turn in an analogue machine funk remix combining dark and trippy tones with subtle melodies, sharp beats and tight sequences.

dan ghenacia steps up with a stunning double solo offering with globe/ gentelized, a rare production offering from the parisian star, this time lending his brand of freakiness to cdr (crosstown digital rebels).globe takes you on a 3am dance floor journey, its steady, driving beats riding the swelling ambience of abstract melodic effects. psychedelic elements cry in unison, unravelling a blanket of swirling synths in descent and crescendo. gentilized finds its heart in heavy rolling bass and soothing sumptuous female cries. inspired by dans kwality years at batofar, this production oozes aquatic sonics and fluid chords, with deep and dreamy layers of percussion pouring over each other. forging an effortless groove in the bass and hypnotic sweeps of melody, this track is dan at his playful best. one of the undisputed pioneers of the parisian house and techno scene, dan ghenacias influence is undeniable. through his productions, revered freak n chic label now in its seventh year, notorious parties at batofar in paris and legendary residencies around europe including dc10 and space in ibiza, he has remained at the forefront of the scene for over a decade.

two more missives from the leng stable, a stable basking in late afternoon sunshine the whole year round. here we have two remixes of cantoma tracks. on side a is ray mangs remix of under the stars a subtle disco groove, with a sweet rolling bass and a languid horn line that gently eases into the back of your mind, luring you into a hypnotic swirl. over on side-b lexx steps up to deliver an equally stunning take on gambara immdediately setting out a more electronic lilt, the track steadily builds into a mid tempo throb as the vocals wash over proceedings, while flute and acoustic guitar make way for each other in the melody stakes. timeless sounds on both sides evoking the summer just passed

the 3rd original release for 2010 is classic knights 3 tracks of killer beats and rolling basslines with hooky vocals. a must have!